Why are public officials waiting time talking about moving Homer, Red Grooms’ iconic sculpture? Come on guys, what about working on water challenges, school challenges, street repairs, crime, zoning rules, saving the Everglades? Here are a few reasons that the Marlins and the city/county can use as excuses to move on to more important issues.
Sam Roberts wrote a lovely obituary in the New York Times for Wendell Castle. He quotes design guru Glen Adamson who said, “Wendell is the most important postwar American furniture designer, by a long shot.” Glen knows his stuff. He was the Executive Director of the...
On December 13, we celebrated George Lindemann Day in Miami Beach – a thank you for my efforts over the last nine years on behalf of the Bass Museum. Not only did I officially get my 15 minutes of fame, but I received my City of Miami Beach Commission certificate and some very kind and eloquent words from Commissioner Rosen-Gonzalez.
Pascal Marthine Tayou at #bassmuseum opening discussing his installation.
Artnet News: Extreme Weather Is Threatening Museums Around the Globe. Here’s What They’re Doing About It.
As tides and temperatures rise, museums are rallying to protect themselves.
Trackcendence by Robert Chambers on view at Emerson Dorsch through July 6th, 2017.
In a statement, George Lindemann, President of The Bass Board of Directors, explains that the new building meets the needs of The Bass’ goals: “More than just a building renovation, The Bass’ transformation brings the physical museum to the level of its curatorial ambition.
After a year of construction delays, the Bass is set to reopen October 8 with a major retrospective of artist Ugo Rondinone. Miami Beach’s only major art institution temporarily shuttered in 2016 for a major renovation that would almost double its programmable space without altering the historic building’s footprint.
Though he’s classically trained and certainly appreciates traditional technique, Frank de Biasi never stops searching for what’s next. The New York–based designer, who cut his teeth working for Peter Marino before breaking out on his own, has conceived interiors ranging from a classically appointed boathouse to an art-filled, kaleidoscopically patterned Miami manse.
Standing in the soft glow of his perfectly pastel two-story waterfront home in Florida, George Lindemann says, “I didn’t want a white house. I have two young girls whose favorite color is pink, and because they live with two dads and two brothers, I am always looking for ways to empower them. So I made pink my favorite color, too!”